On 8 August 1488, Joseph ben Jacob Ashkenazi Gunzenhauser printed in Naples an abridgement of David Kimḥi’s Sefer ha-shorashim entitled Maḳre dardeḳe (מקרי דרדקי). This work is attributed to Menaḥem ben Peretz Trabot and includes a number of Judeo-Italian and Judeo-Arabic glosses. It seems that it was intended for a readership of Italian Jews, as well as Arabophone Jews in Sicily and Sephardic Jews who had come to Italy from the Iberian Peninsula beginning in the late thirteenth century. What is remarkable about Gunzenhauser’s edition is that it is not only the earliest printing of Maḳre dardeḳe, but also the earliest dated witness of this text with Judeo-Italian and Judeo-Arabic glosses.
Maḳre dardeḳe exists in manuscript form in six different manuscripts, dating from the end of the fifteenth century to the seventeenth century, and presenting notorious variants. These variants include the replacement of Judeo-Italian and Judeo-Arabic glosses by Yiddish or Judeo-Spanish glosses, or even the omission of glosses altogether. Three manuscripts contain Yiddish or Judeo-German glosses (Dortmund, Museum für Kunst und Kulturgeschichte, F 212, the oldest Maḳre dardeḳe witness; München, Bayerische Staatsbibliothek, Cod.r. 63; and Oxford, Bodleian Library MS Opp. 634); one contains Judeo-Spanish and Judeo-Arabic glosses (Oxford, Bodleian Library, MS Hunt. 218); another one has no glosses at all (Vatican, Biblioteca Apostolica Vaticana, ebr. 429); and the last one contains Judeo-Italian and Judeo-Arabic glosses (San Lorenzo de El Escorial, Real Biblioteca, MS G-IV-9). In other words, this last manuscript is the only one containing Judeo-Italian and Judeo-Arabic glosses, like the Naples edition, and therefore deserves special attention.
The manuscript in El Escorial does not contain the entire text of Maḳre dardeḳe, but only an excerpt of it. In fact, the manuscript, with 224 folios, is a composite or non-homogeneous miscellany containing several exegetical works, some materials relating to Jacob ibn Ḥaviv’s ‘En Ya‘aḳov, the printed work Sha’are teshuvah by Yonah ben Abraham Girondi (probably a copy of the Venice edition, 1544) and other miscellaneous materials. The excerpt from Maḳre dardeḳe is copied on folios 22v to 24v and includes the beginning of the work (roots אב to אפז from the letter א). Previous mentions of this manuscript described it as containing Judeo-Italian glosses only, but folio 24v includes several Judeo-Arabic glosses as well.
Being a non-homogeneous miscellany, this manuscript is the result of previous existing materials having been gathered into a single binding. Yet this process was not a random selection of material done at the library at El Escorial. Rather, it had already been completed in sixteenth-century Italy by one of the manuscript’s owners, who selected the different constituent parts according to their own interests. We know this because when the manuscript arrived at El Escorial at the end of the sixteenth century, it was already in its present form. The book contains two different colophons, which describe the copying of parts of it in 1516 and 1518, and we therefore can surmise that the gathering of all materials was probably done later in the sixteenth century, sometime prior to the arrival of the manuscript at El Escorial in 1599. The different watermarks in the paper used for its many constituent parts also confirm this dating.
David Curbelo, a student under my supervision at the Universidad Complutense de Madrid, edited the brief text of Maḳre dardeḳe in this manuscript in his Master’s thesis and discovered that the text of the El Escorial manuscript is an abridgment of the text printed by Gunzenhauser. The El Escorial text retains the biblical roots, the Judeo-Italian glosses (and on folio 24v, the Judeo-Arabic glosses, too) and the biblical verses, although most of the exegetical texts and references from the Naples edition are absent. For instance, the first root in both texts (אב) is followed by the first Judeo-Italian gloss (מיור/מיורי, ‘maggiore’, translated as ‘elder’) and the biblical verse including the word אב with this meaning, וישימני לאב לפרעה (Gen 45:8). Then, the text in the El Escorial manuscript skips Rashi’s explanations that appear in the Naples edition, and provides the reading for the following gloss for אב, which is פטרי (‘patre’, translated as ‘father’), and so on.
Many questions arise from this manuscript witness of Maḳre dardeḳe. Was the scribe in possession of a copy of the Naples edition that served as a model? Was the scribe interested in the glosses only, given the fact that most of the exegetical passages were omitted? Or was the scribe copying from other manuscript witnesses not known to us but that were circulating along with the Naples edition? And why were the Judeo-Arabic glosses copied only on the last page, and not from the beginning of the text? This being the only manuscript version of Maḳre dardeḳe with both Judeo-Italian and Judeo-Arabic glosses that was produced shortly after Gunzenhauser’s printing, the El Escorial manuscript definitely merits a thorough study. This study should include the glosses, their comparison with the ones included in the Naples edition and the nature of the relationship between both witnesses.
OpenEdition suggests that you cite this post as follows:
OSRJL Administrator (February 13, 2023). The ‘Maḳre dardeḳe’ Manuscript with Judeo-Italian and Judeo-Arabic Glosses. The Jewish Languages Bookshelf. Retrieved October 11, 2024 from https://doi.org/10.58079/ur4i